| 000 | 02700naaaa2200337uu 4500 | ||
|---|---|---|---|
| 001 | https://directory.doabooks.org/handle/20.500.12854/54267 | ||
| 005 | 20220220033304.0 | ||
| 020 | _a/doi.org/10.1007/978-3-319-58316-7 | ||
| 020 | _a9783319583150 | ||
| 020 | _a9783319583167 | ||
| 024 | 7 |
_ahttps://doi.org/10.1007/978-3-319-58316-7 _cdoi |
|
| 041 | 0 | _aEnglish | |
| 042 | _adc | ||
| 100 | 1 |
_aStefano Papetti _4auth |
|
| 700 | 1 |
_aCharalampos Saitis _4auth |
|
| 245 | 1 | 0 | _aMusical Haptics |
| 260 |
_bSpringer Nature _c2018 |
||
| 300 | _a1 electronic resource (285 p.) | ||
| 506 | 0 |
_aOpen Access _2star _fUnrestricted online access |
|
| 520 | _aThis open access book offers an original interdisciplinary overview of the role of haptic feedback in musical interaction. Divided into two parts, part I examines the tactile aspects of music performance and perception, discussing how they affect user experience and performance in terms of usability, functionality and perceived quality of musical instruments. Part II presents engineering, computational, and design approaches and guidelines that have been applied to render and exploit haptic feedback in digital musical interfaces. Musical Haptics introduces an emerging field that brings together engineering, human-computer interaction, applied psychology, musical aesthetics, and music performance. The latter, defined as the complex system of sensory-motor interactions between musicians and their instruments, presents a well-defined framework in which to study basic psychophysical, perceptual, and biomechanical aspects of touch, all of which will inform the design of haptic musical interfaces. Tactile and proprioceptive cues enable embodied interaction and inform sophisticated control strategies that allow skilled musicians to achieve high performance and expressivity. The use of haptic feedback in digital musical interfaces is expected to enhance user experience and performance, improve accessibility for disabled persons, and provide an effective means for musical tuition and guidance. | ||
| 536 | _aZurich University of the Arts | ||
| 540 |
_aCreative Commons _fhttps://creativecommons.org/licenses/by/4.0/ _2cc _4https://creativecommons.org/licenses/by/4.0/ |
||
| 546 | _aEnglish | ||
| 653 | _aHaptic Musical Instruments | ||
| 653 | _aUser Experience | ||
| 653 | _aMusical Performance | ||
| 653 | _aInterface Design and Evaluation | ||
| 653 | _aHaptic Psychophysics | ||
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://link.springer.com/book/10.1007/978-3-319-58316-7 _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/54267 _70 _zDOAB: description of the publication |
| 999 |
_c62591 _d62591 |
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