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001 https://directory.doabooks.org/handle/20.500.12854/77903
005 20220220050329.0
020 _amitpress/9874.001.0001
020 _a9780262320887
020 _a9780262027939
024 7 _a10.7551/mitpress/9874.001.0001
_cdoi
041 0 _aEnglish
042 _adc
072 7 _aACXJ8
_2bicssc
072 7 _aUYZF
_2bicssc
100 1 _aEhn, Pelle
_4edt
700 1 _aNilsson, Elisabet M.
_4edt
700 1 _aTopgaard, Richard
_4edt
700 1 _aEhn, Pelle
_4oth
700 1 _aNilsson, Elisabet M.
_4oth
700 1 _aTopgaard, Richard
_4oth
245 1 0 _aMaking Futures : Marginal Notes on Innovation, Design, and Democracy
260 _aCambridge
_bThe MIT Press
_c2014
300 _a1 electronic resource (392 p.)
506 0 _aOpen Access
_2star
_fUnrestricted online access
520 _aExperiments in innovation, design, and democracy that search not for a killer app but for a collaboratively created sustainable future. Innovation and design need not be about the search for a killer app. Innovation and design can start in people's everyday activities. They can encompass local services, cultural production, arenas for public discourse, or technological platforms. The approach is participatory, collaborative, and engaging, with users and consumers acting as producers and creators. It is concerned less with making new things than with making a socially sustainable future. This book describes experiments in innovation, design, and democracy, undertaken largely by grassroots organizations, non-governmental organizations, and multi-ethnic working-class neighborhoods. These stories challenge the dominant perception of what constitutes successful innovations. They recount efforts at social innovation, opening the production process, challenging the creative class, and expanding the public sphere. The wide range of cases considered include a collective of immigrant women who perform collaborative services, the development of an open-hardware movement, grassroots journalism, and hip-hop performances on city buses. They point to the possibility of democratized innovation that goes beyond solo entrepreneurship and crowdsourcing in the service of corporations to include multiple futures imagined and made locally by often-marginalized publics. Contributors Måns Adler, Erling Björgvinsson, Karin Book, David Cuartielles, Pelle Ehn, Anders Emilson, Per-Anders Hillgren, Mads Hobye, Michael Krona, Per Linde, Kristina Lindström, Sanna Marttila, Elisabet M. Nilsson, Anna Seravalli, Pernilla Severson, Åsa Ståhl, Lucy Suchman, Richard Topgaard, Laura Watts
540 _aCreative Commons
_fby-nc/4.0/
_2cc
_4http://creativecommons.org/licenses/by-nc/4.0/
546 _aEnglish
650 7 _aArt & design styles: Postmodernism
_2bicssc
650 7 _aInformation visualization
_2bicssc
653 _aIndustrial / commercial art and design
653 _aHuman–computer interaction
856 4 0 _awww.oapen.org
_uhttp://mitpress.mit.edu/9780262027939
_70
_zDOAB: download the publication
856 4 0 _awww.oapen.org
_uhttps://directory.doabooks.org/handle/20.500.12854/77903
_70
_zDOAB: description of the publication
999 _c66742
_d66742