| 000 | 02875naaaa2200325uu 4500 | ||
|---|---|---|---|
| 001 | https://directory.doabooks.org/handle/20.500.12854/77907 | ||
| 005 | 20220220051139.0 | ||
| 020 | _amitpress/9601.001.0001 | ||
| 020 | _a9780262325479 | ||
| 020 | _a9780262526920 | ||
| 024 | 7 |
_a10.7551/mitpress/9601.001.0001 _cdoi |
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| 041 | 0 | _aEnglish | |
| 042 | _adc | ||
| 072 | 7 |
_aJFDV _2bicssc |
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| 072 | 7 |
_aJNV _2bicssc |
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| 100 | 1 |
_aKinskey, Rebecca _4auth |
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| 245 | 1 | 0 | _aWe Used to Wait : Music Videos and Creative Literacy |
| 260 |
_aCambridge _bThe MIT Press _c2014 |
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| 300 | _a1 electronic resource (120 p.) | ||
| 506 | 0 |
_aOpen Access _2star _fUnrestricted online access |
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| 520 | _aAn investigation of music videos as a form, a practice, and a literacy. Music videos were once something broadcast by MTV and received on our TV screens. Today, music videos are searched for, downloaded, and viewed on our computer screens—or produced in our living rooms and uploaded to social media. In We Used to Wait, Rebecca Kinskey examines this shift. She investigates music video as a form, originally a product created by professionals to be consumed by nonprofessionals; as a practice, increasingly taken up by amateurs; and as a literacy, to be experimented with and mastered. Kinskey offers a short history of the music video as a communicative, cultural form, describing the rise and fall of MTV's Total Request Live and the music video's resurgence on YouTube. She examines recent shifts in viewing and production practice, tracing the trajectory of music video director Hiro Murai from film student and dedicated amateur in the 1990s to music video professional in the 2000s. Investigating music video as a literacy, she looks at OMG! Cameras Everywhere, a nonprofit filmmaking summer camp run by a group of young music video directors. The OMG! campers and counselors provide a case study in how cultural producers across several generations have blurred the line between professional and amateur. Their everyday practices remake the notion of literacy, not only by their collaborative and often informal efforts to impart and achieve literacy but also by expanding the definition of what is considered a valuable activity, worthy of dedicated, pleasurable pursuit. | ||
| 540 |
_aCreative Commons _fby-nc-nd/4.0 _2cc _4http://creativecommons.org/licenses/by-nc-nd/4.0 |
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| 546 | _aEnglish | ||
| 650 | 7 |
_aAdvertising & society _2bicssc |
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| 650 | 7 |
_aEducational equipment & technology, computer-aided learning (CAL) _2bicssc |
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| 653 | _aMedia studies | ||
| 653 | _aEducational equipment and technology, computer-aided learning (CAL) | ||
| 856 | 4 | 0 |
_awww.oapen.org _uhttp://mitpress.mit.edu/9780262526920 _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/77907 _70 _zDOAB: description of the publication |
| 999 |
_c67127 _d67127 |
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