| 000 | 01806naaaa2200385uu 4500 | ||
|---|---|---|---|
| 001 | https://directory.doabooks.org/handle/20.500.12854/62670 | ||
| 005 | 20220220052937.0 | ||
| 020 | _a/doi.org/10.11647/OBP.0159 | ||
| 020 | _a9781783746484 | ||
| 020 | _a9781783746507 | ||
| 024 | 7 |
_ahttps://doi.org/10.11647/OBP.0159 _cdoi |
|
| 042 | _adc | ||
| 100 | 1 |
_aJefferies, Janis (Editor) _4auth |
|
| 700 | 1 |
_aKember, Sarah (Editor) _4auth |
|
| 245 | 1 | 0 | _aWhose Book Is it Anyway?: A View from Elsewhere on Publishing, Copyright and Creativity |
| 260 |
_bOpen Book Publishers _c2019 |
||
| 300 | _a1 electronic resource (458 p.) | ||
| 506 | 0 |
_aOpen Access _2star _fUnrestricted online access |
|
| 520 | _aWhose Book is it Anyway? is a provocative collection of essays that opens out the copyright debate to questions of open access, ethics, and creativity. It includes views – such as artist’s perspectives, writer’s perspectives, feminist, and international perspectives – that are too often marginalized or elided altogether. | ||
| 540 |
_aCreative Commons _fhttps://creativecommons.org/licenses/by/4.0/ _2cc _4https://creativecommons.org/licenses/by/4.0/ |
||
| 653 | _aopen access | ||
| 653 | _acopyright | ||
| 653 | _aartist’s perspectives | ||
| 653 | _acollection of essays | ||
| 653 | _aethics | ||
| 653 | _afuture of publishing | ||
| 653 | _ainternational perspectives | ||
| 653 | _awriter’s perspectives | ||
| 653 | _afeminist perspectives | ||
| 653 | _aintellectual property | ||
| 653 | _acopyright debate | ||
| 653 | _acreativity | ||
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://www.openbookpublishers.com/reader/925 _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/62670 _70 _zDOAB: description of the publication |
| 999 |
_c67960 _d67960 |
||