| 000 | 01529naaaa2200289uu 4500 | ||
|---|---|---|---|
| 001 | https://directory.doabooks.org/handle/20.500.12854/40404 | ||
| 005 | 20220220084050.0 | ||
| 020 | _a9783110488739 | ||
| 020 | _a9783110488739 | ||
| 020 | _a9783110488760 | ||
| 024 | 7 |
_a10.1515/9783110488739 _cdoi |
|
| 041 | 0 | _aGerman | |
| 042 | _adc | ||
| 100 | 1 |
_aLehmann, Hauke _4auth |
|
| 245 | 1 | 0 | _aAffektpoetiken des New Hollywood. Suspense, Paranoia und Melancholie |
| 260 |
_bDe Gruyter _c2016 |
||
| 300 | _a1 electronic resource (ix, 374 p.) | ||
| 506 | 0 |
_aOpen Access _2star _fUnrestricted online access |
|
| 520 | _aHow do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes – suspense, paranoia, and melancholy – which draw the spectators to reflect in unique ways about contradictions in their own feelings. | ||
| 540 |
_aCreative Commons _fhttps://creativecommons.org/licenses/by-nc-nd/4.0/ _2cc _4https://creativecommons.org/licenses/by-nc-nd/4.0/ |
||
| 546 | _aGerman | ||
| 653 | _aaffect | ||
| 653 | _atemporality | ||
| 653 | _aFilm history in the USA | ||
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://doi.org/10.1515/9783110488739 _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/40404 _70 _zDOAB: description of the publication |
| 999 |
_c76522 _d76522 |
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