| 000 | 01506naaaa2200289uu 4500 | ||
|---|---|---|---|
| 001 | https://directory.doabooks.org/handle/20.500.12854/52753 | ||
| 005 | 20220220102403.0 | ||
| 020 | _a9783110475371 | ||
| 020 | _a9783110475371 | ||
| 024 | 7 |
_a10.1515/9783110475371 _cdoi |
|
| 041 | 0 | _aGerman | |
| 042 | _adc | ||
| 100 | 1 |
_aWegener, Lydia _4auth |
|
| 700 | 1 |
_aRothenberger, Eva _4auth |
|
| 245 | 1 | 0 | _aMaria in Hymnus und Sequenz. Interdisziplinäre mediävistische Perspektiven |
| 260 |
_bDe Gruyter _c2017 |
||
| 300 | _a1 electronic resource (xi, 468 p.) | ||
| 506 | 0 |
_aOpen Access _2star _fUnrestricted online access |
|
| 520 | _aMarian hymns and sequences occupy a central place in the history of sacred song. Alongside Latin poetry, starting from the early Middle Ages, there were also vernacular translations, which adapted, modified, and transformed the image of Mary from their original models. The conference volume assembles a broad range of interdisciplinary papers that examine these processes of reformulation and appropriation. | ||
| 540 |
_aCreative Commons _fhttps://creativecommons.org/licenses/by-nc-nd/4.0/ _2cc _4https://creativecommons.org/licenses/by-nc-nd/4.0/ |
||
| 546 | _aGerman | ||
| 653 | _aliturgy | ||
| 653 | _aPoetics | ||
| 653 | _apiety | ||
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://doi.org/10.1515/9783110475371 _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/52753 _70 _zDOAB: description of the publication |
| 999 |
_c81124 _d81124 |
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