000			02159naaaa2200301uu 4500
001			https://directory.doabooks.org/handle/20.500.12854/69932
005			20220220105812.0
020			_a978-88-6655-822-4.03
020			_a9788866558224
024	7		_a10.36253/978-88-6655-822-4.03 _cdoi
041	0		_aEnglish
042			_adc
100	1		_aDICKINSON, SARA _4auth
245	1	0	_aAleksandra Xvostova, Nikolaj Karamzin and the Gendering of Toska
260			_aFlorence _bFirenze University Press _c2015
506	0		_aOpen Access _2star _fUnrestricted online access
520			_aThis article reviews the evolution of toska in eighteenth-century literary discourse to demonstrate this sentiment's profound connection with notions of femininity. That century's use of toska culminates in Aleksandra Xvostova's then popular Otryvki (Fragments, 1796), the emotional emphases of which were one of the reasons for its success. In fact, we argue that Russian women's writing contains a tradition of emotional expression that is lexically distinct from the male tradition. Xvostova’s emphatic and reiterative use of toska participates in a larger debate about gender and the 'ownership' of personal emotions and it was relevant to literary arguments about "feminization" that involved writers such as Nikolaj Karamzin and Vasilij Zukovskij, but also a number of women authors (e.g. Ekaterina Urusova, Anna Turčaninova, Elizaveta Dolgorukova, Anna Volkova), whose work asserts the right of the female subject to both suffer strong emotion and to express it.
540			_aCreative Commons _fhttps://creativecommons.org/licenses/by/4.0/ _2cc _4https://creativecommons.org/licenses/by/4.0/
546			_aEnglish
653			_aRussian women's writing
653			_atoska
653			_ahistory of emotions
653			_aKaramzin
653			_aXvostova
773	1	0	_0OAPEN Library ID: ONIX_20210521_9788866558224_3 _7nnaa
856	4	0	_awww.oapen.org _uhttps://www.fupress.com/redir.ashx?RetUrl=15567.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/69932 _70 _zDOAB: description of the publication
999			_c82692 _d82692