000			01958naaaa2200301uu 4500
001			https://directory.doabooks.org/handle/20.500.12854/69953
005			20220220110340.0
020			_a978-88-5518-150-1.18
020			_a9788855181501
024	7		_a10.36253/978-88-5518-150-1.18 _cdoi
041	0		_aItalian
042			_adc
100	1		_aAntonucci, Fausta _4auth
245	1	0	_aIl principe selvaggio (1695) de Francesco Silvani: una curiosa taracea de motivos del teatro áureo español
260			_aFlorence _bFirenze University Press _c2020
506	0		_aOpen Access _2star _fUnrestricted online access
520			_aIn this paper, I intend to find out which texts inspired the libretto by Francesco Silvani, Il principe selvaggio (1695), whose events, according to the author, are taken "from the Fasti of Castile". The examination of the plot leads to exclude the existence of a historiographic "source" as the mention of the Fasti would suggest, and to hypothesize instead a multiple literary intertextuality. It seems that Silvani was reminiscent of theatrical texts such as El príncipe de los montes, by Juan Pérez de Montalbán, Virtudes vencen señales, by Luis Vélez de Guevara, and a constellation of works by Pedro Calderón de la Barca (El monstruo de los jardines, La hija del aire, Hado y divisa de Leonido y de Marfisa).
540			_aCreative Commons _fhttps://creativecommons.org/licenses/by/4.0/ _2cc _4https://creativecommons.org/licenses/by/4.0/
546			_aItalian
653			_aSilvani
653			_aMultiple intertextuality
653			_aCalderón
653			_aVélez
653			_aPérez de Montalbán
773	1	0	_0OAPEN Library ID: ONIX_20210521_9788855181501_24 _7nnaa
856	4	0	_awww.oapen.org _uhttps://www.fupress.com/redir.ashx?RetUrl=14603.pdf _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/69953 _70 _zDOAB: description of the publication
999			_c82947 _d82947